Monday, December 28, 2009

I've got a Golden Record

My last bit of looking into Carl Sagan info led me to the Golden Record placed on the Pioneer 10 and 11 spacecraft. I am not the first person to be enamored with this strangely poetic and beautiful gesture -- I think that was part of the point, but here are my thoughts anyway.

I am interested in what is actually ON the record, since I only have a vague idea.

There is an article from the New York Times called The Mix Tape of the Gods which I thought sounded good too.



According to wikipedia, you can get the CD from various libraries. "A CD-ROM version was issued by Warner New Media in 1992[9]. Both versions are out of print, but the 1978 edition can be found in many college or public libraries."

Anyway, the wikipedia article about it (Voyager Golden Record) is full of really intriguing and interesting ideas.

"thus the record is best seen as a time capsule or a symbolic statement rather than a serious attempt to communicate with extraterrestrial life."

"This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”
— U.S. President Jimmy Carter

"After NASA had received criticism over the nudity on the Pioneer plaque (line drawings of a naked man and woman), the agency chose not to allow Sagan and his colleagues to include a photograph of a nude man and woman on the record. Instead, only a silhouette of the couple was included."


Random fact:
"After the Pioneer Program, NASA put a Golden Record aboard the two Voyager spacecrafts, which included a greeting "Hello from the children of planet Earth." That was recorded by then six-year-old Nick Sagan, Carl's son." (from a blog of random facts)

Glorious Dawn - Carl Sagan

A few months ago, this fantastic video remix of various things Carl Sagan said went viral and basically everyone I knew online was talking about it. When I heard it, I immediately became mildly obsessed with it, listened to it 8 times, and then proceeded to send it to everyone else I knew, as is expected of something like this. The person who made it also made the video and mp3 available for free (bless them) so I have them in my permanent possession now :) but I also have it linked here.



Anyway, I didn't know much about Carl Sagan except for the very brief and wonderful love story about him and Ann Druyan and their work on the golden record included in the Voyager expedition from the Radiolab episode about Space. So I went on a cursory search of information about him beginning with the Carl Sagan wikipedia article.

There are so many reasons to find him and his work totally fascinating, not the least of which is his apparent talent of bringing complex scientific ideas to average people. I feel like he is a great example of someone whose passion for something exceeds that thing's natural appeal in such a way that makes it accessible to everyone else around him. For instance, take this sentence from the Wikipedia article which . . . says as much "Sagan's ability to convey his ideas allowed many people to better understand the cosmos—simultaneously emphasizing the value and worthiness of the human race, and the relative insignificance of the earth in comparison to the universe."

Also, this: "Isaac Asimov described Sagan as one of only two people he ever met whose intellect surpassed his own." I think this speaks to my general fascination with people who are brilliant and my nerd-crushes on all of them.

And also, some really interesting stuff about UFO's and . . . other things which remind me of the X-Files and are great. :) (I did find a mention of the particular episode that I was thinking of, by the way, on a wikipedia article about the Pioneer 10 spacecraft that they sent the golden record on. . . . "In the X-Files episode "Little Green Men", Bach's Brandenburg Concerto No. 2 can be heard whilst characters discuss the Golden Record.")


Here is something further about the remix that I didn't know: "In 2009, clips from Carl Sagan's Cosmos were used as the basis for A Glorious Dawn, the first video produced for the Symphony of Science, an educational music video production by composer John Boswell. Musician Jack White later released this song as a vinyl single under his record label Third Man Records.[51] Additional clips were used in the followup video, We Are All Connected, which featured Sagan alongside other noted scientists Richard Feynman, Neil Degrasse Tyson, and Bill Nye" I think this might be from Wikipedia or something. Not sure.

Sunday, December 27, 2009

More on Rats

For whatever reason, I am still harping on rats. I started researching rats a little bit, as broadly as possible.

Here are some wikipedia articles that I thought were interesting as a starting point:
Fancy Rat
Model Organism
Laboratory Rat


Rat Traps
I stumbled upon an absolutely horrific, heartbreaking video on youtube (which I refuse to link to here) that shows a rat caught in a sticky trap, choking on sticky glue and twitching as it tries in vain to free itself. That video actually makes me hate humans . . . and decide that people really are a bunch of bastards. I cant really understand how we can do things like that to other animals. I know I sound like a overly sentimental person or something, but I think the unnecessary torturous death of another living thing is objectively awful. And I'd like to see the rats get revenge. Its a nice idea anyway :)


I hate to post this one, but it makes me want to cry. I thought maybe it was a cartoony sort of image before I clicked on it, but once I realized how sad it was . . .

This leads me to following question: How can people kill rats when there are photos out there like this:

In all seriousness, though, what makes us feel like we can just kill them? Is it their size? What if they were the size of dogs and cats, how would we feel about it then? We have no problem killing insects, but the further up the food-chain we get (or rather the closer to mammals we get) the less comfortable we are with treating them as pests.


Rat-baiting
Another thing that people do (or did anyway) with rats is throw them into a rat pit and have dogs (rat terriers, go figure, jack russels, etc.) try to kill as many as possible within a certain time frame. This is called rat baiting. This is interesting to me for a couple of reasons.
  1. Again, people are bastards
  2. This is a connection to dogs in an unexpected way that I tend to forget about . . . the way dogs were often used for cruel things, not just to each other, such as pit-bull fighting, but towards other animals
  3. People often make a big deal about laboratory animals being treated cruelly, but it seems to me that compared to the other ways rats can die (sticky trap, being smashed in a trap and left to suffocate, or perhaps having their necks wrung by dogs in a pit), lab-rat life is not so inhumane after all. I might revise my thoughts on that if I ever actually spent time in a laboratory setting. . . but. . .
maybe the glitter blood thing can go with the rat pit. . . or maybe not.


Rats and Garbage in NYC
I also came upon an interesting video talking about rats in New York City. It was really interesting their relationship to garbage and waste - rat expert talks about how WE provide our waste garbage on the streets in NY and then of course there are tons of rats as a result.

Some thoughts on rats
  • rats have so left the naimals kingdom and are now the property of science - when you think of rats its either garbage rats or genetically engineered things living in cages. I should make a really huge one. out of scale. really smart one?
  • do the rats with all kinds of crazy electrodes on them maybe all connected with glitter. :) glitter red eyes? :) ha. Ok, enough with the glitter.

Tuesday, December 8, 2009

Excellent use of glitter

So here is a video that I first saw because it was directed by Richard Ayoade (of the IT Crowd, and Jesse Thorn posted it of course). I don't know much about music videos, but I actually really liked this one a lot. You can watch it here: Heads Will Roll by the Yeah Yeah Yeahs. I thought it was very artful. And what's more, there was excellent use of glitter. :) As we all know, good uses of glitter are few and far between, so I'm really pleased with the way the video uses confetti-type paper, glitter, etc. to evoke blood and guts without actually grossing people out with real blood and guts. :)

In case the video is taken down someday, I went to the trouble of taking a few screenshots of parts that I thought were kind of awesome and that also use glitter.








This makes me think - if glitter is meant to be cute and bright and fun, and they do a bang-up job of using it for something gross and unpleasant, perhaps I can utilize that structure in order to get some of that damn glitter into my own work. Hopefully as successfully and non-tacky as this video did.

Wednesday, November 4, 2009

Profusion. Repetition. Delightful.


This image is one that stuck in my mind ever since I first saw it, so the other day, I decided to figure out who on earth made these things and what their deal was. :) It didn't take long to find Sandy Skoglund and a whole series of other fairly famous images of profuse repetition of clay animals. I remember seeing an installation somewhere. . . maybe at the Des Moines Art Center, though her work is both the installation and color photographs.


Then there is this photo, which I came across the other day while looking up an artist who has had an exhibit at the Memorial Union in Ames, Iowa, named Mark Kochen. According to a postcard, "Mark Kochen is a self described “serial artist” living in Sioux City, Iowa. His works focus on everyday objects presented in a whimsical and repetitious manner. Brains, televisions, mice, blenders, sheep and many others are painted by the hundreds, exposing minute variations in a seemingly identical array of similar objects." The rest of his work is paintings, but he had a handful of images on his website, this being one of them, referred to as a serial photo.

And then this:

Chris Van Allsburg's book Jumanji. I couldn't find the pictures of all the animals in kitchen, but I have this memory of a room where there are a whole bunch. Not to mention the mysterious magical quality of his illustrations.

And now to point out the obvious. I see a visual intersection here that I am really interested in and want to explore.

I am extremely interested in these types of images for a few reasons. One is that I think excess is on the one hand delightful - repetition and profusion are inherently a little funny to me, though probably less so if the profusion was a hoard of cockroaches or something. Also, excess is so related to American-ness. It seems gross and a little out of control to have a whole bunch of something, even a whole bunch of tiny somethings, and yet having a whole bunch is really secure and safe, like you can just loose them or break them and no matter, you always have more. It decreses the value of the individual things to you, but increases your value by having so many.

Rats.

So . . . maybe all my life, or at least since I read the Rats of NIMH, I have been sort of enamored and delighted by rats. Admittedly, this is perhaps because I have grown up in the place where rats are part of a clean, scientific, laboratory environment, where they demonstrate their bright intelligence and resemblance to other adorable mammals such as dogs, and not in the place where the rats harbor diseases, run across your face while you are sleeping, and destroy your only food. I keep returning to the subject of rats as something I'd to use in my artwork, though my rationale is still hazy.

For one thing, rats are smart. I love that. They are pioneers - the first to test out practically every biologically-related study that we try. This may or may not be true, but it at least seems that way . . . that it is easy to associate rats with science and with being on the cutting edge of scientific advancement, whether or not we want them to be. I just recently came to the realization that the NIHM in "Rats of NIMH" stands for the National Institute of Mental Health, and that explains the whole premise of those books. This news, by the way, blew my mind and was the source of great thrill and excitement for several days.

There is, of course, the ethical issue of rats being kept in cages, running around in mazes, and being killed through painful or horrifying scientific testing.

Not sure just yet what I might want to do with this.

Wednesday, October 28, 2009

Characteristics of narrative from the perspective of developmental cultural psychology

The third chapter in Jerome Bruner's book "Acts of Meaning" discusses personal narrative and the way it relates to development.

“I have been at great pains to argue (and will argue further later in this chapter) that one of the most ubiquitous and powerful discourse forms in human communication is narrative.” 77

This next part is particularly interesting to me:

“Narrative requires, as mentioned in the preceeding chapter, four crucial grammatical constituents if it is to be effectively carried out. It requires, first, a means for emphasizing human action or “agentivity”—action directioned toward goals controlled by agents. It requires, secondly, that a sequential order be established and maintained—that events and states be “linearized” in a standard way. Narrative, thirdly, also requires a sensitivity to what is canonical and what violates canonicality approximating a narrator’s perspective: it cannot, in the jargon of narratology, be “voiceless.” 77

In this quotation, i think he is referring to language acquisition readiness.
“A second requirement is early readiness to mark the unusual and leave the usual unmarked – to concentrate attention and information processing on the offbeat.” 78.

“Roman Jakobson told us many years ago, the very act of speaking is an act of marking the unusual from the usual.” 79

He argues that we have an “innate” predisposition for narrative structure and that push influences our readiness to learn the basics of narrative before we learn other kinds of logic and structure.

Bruner discusses talking to ourselves on 88 “John Dewey proposed that language provides a way of sorting out our thoughts about the world. . . .” and proceeds to use the example of a little girl named Emily who talked to herself at night, recited books, talks about what she did all day and what she thought she would do tomorrow. I think is fascinating as it relates to childhood, development, storytelling, children’s literature, journal writing, and maybe even prayer.

“But looking closely at the transcripts and listening to the tapes, there were times when we had the irrestible impression that Emily’s leaps forward in speech were fueled by a need to construct meaning, more particularly narrative meaning.”

Finally makes some mention at the end of how in general primatologists and others make too much of an emphasis on how primates (including people) engage in conflict and aggression and fail to note the amazing ways we keep peace, which he doesn’t explicitly say this but it seems that he is getting at narrative as a peace-keeping and conflict-resolving structure (he does say that) and that fact may mean that it has allowed us to evolutionarily select for narrative skills. I’m sure there are other ways to note how narrative is important for maintaining collective society which seems to be a big trait we’ve evolved for. . .

Another text in my mind lately is a chapter from an un-named book by Peggy Miller (the instructor of the cultural developmental psychology class I took my first semester of graduate school) called Narrative Practices: Their role in socialization and self-construction. (I got it in PDF form for class).

This chapter introduces the idea of self-construction which I think is fascinating in relationship to other things I have read and heard about narrative.

“Because both the experience of the self and the events in a story are organized with respect to time, narrative is especially well suited to representing self-continuity.” 160. This of course reminds me of the Radiolab interview with Paul Broks “If you ask me who I am, I’ll tell you a story.” And Robert Krulwich's "my self is the story of what has happened to my body over time." The fact that so often in our psychology readings (these readings included) narrative is tentatively heralded as a cultural universal also lends itself to support of this viewpoint of narrative as a vital way of constructing self.

This particular chapter goes into interesting detail about the ways that cultural values influence how the storyteller casts themselves or another protagonist – for example, the toughness and cleverness valued in the South Baltimore families, the “self-favorability” bias or the tendency to value the kids independence, and how these values then shape the way the narrator creates their own persona in the story.

Finally, there is one more side note that I found to be particularly interesting:

“This brings us to the issue of memory. When approached via personal storytelling, remembering emerges as a process that occurs in the service of something else. Events are not remembered for the sake of remembering, but for the sake of creating tellable stories about the self.” 175.